Jun
4
to Jun 7

Broom Making Basics

Broom Making Basics

with Cate O’Connell-Richards

Tuesday–Friday, June 4–7, 2024, 2:00 p.m.–5:00 p.m.

Tuition: $235

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1:00 p.m.

Become a broomsquire at Ox-Bow! Learn the foundations of handmaking brooms and whisks. This workshop will feature a presentation on the development of American broom making, including both traditional Appalachian and New England techniques, an introduction to broom making materials, and basic handmaking skills. Included will be demos on a turkey wing whisk, cobwebber, besom, and traditional flat sweeper. Students will be able to learn the basics, as well as have the time to experiment with different handles, weaves, materials, and forms. Materials will be provided.

Cate O’Connell-Richards (they/them) is an artist, broomsquire, and educator living in Madison, Wisconsin. O’Connell-Richards has exhibited internationally and shown work at the Massachusetts Museum of Contemporary Art (North Adams, MA), The Museum of Glass (Tacoma, WA), The Trout Museum of Art (Appleton, WI), Abel Contemporary (Stoughton, WI), Hesse Flatow (New York), Lillstreet Arts Center (Chicago), and the Gallery im Körnerpark (Berlin, DE). Their last solo exhibition “SWEPT” was held at Hancock Shaker Village in Pittsfield, MA in 2022. They have been awarded several travel grants for craft research, including a 2024 Craft Research Fund Project Grant to study the history of American broom making. Their writing has been published by Surface Design Journal (2024), and Mergoat Magazine (2023). Currently, they are a Lecturer for the UW-Madison Art Department.

Cate O’Connell-Richards, Neon Turkey Wings, 2023, broomcorn, twine, dimensions vary. Image courtesy of the artist.

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Jun
8
10:00 AM10:00

Process Art Painting

Process Art Painting

with Jamisen Paustian

Saturday, June 8, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $125 per family

This workshop includes lunch at 1:00 p.m.

Experiment with mixed media as a fam! Work together to create a collaborative process-art painting on canvas. In process art, the finished product is evidence of the actions taken to make the artwork. Each family will start with a base layer of paint, and then use various idiosyncratic tools and materials like toy cars, fly swatters, stamps, and rolling pins to embellish their canvas. Each layer added will incorporate directions for a different art activity that parents and children can explore again in the future at home. Come dressed for mess.

Jamisen Paustian completed her Master's in Art Therapy and Counseling at the School of the Art Institute of Chicago and works as a therapist in school settings. Born and raised in Madison, Wisconsin, she grew up playing outside, swimming in lakes, making snow forts, and creating lots and lots of art. Jamie has over fifteen years of experience working with younger people and has taught multidisciplinary art, music, and yoga classes for students of all ages. She is also a RYT-200 certified yoga instructor, and her preferred mediums are acrylic painting, watercolor, and collage.

Jamisen Paustian, Winter Art Camp, Monroe Street Art Center, Winter 2021, Multimedia, 4 feet x 3 feet. Images courtesy of the artist.

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Jun
8
10:00 AM10:00

Writing the Landscape

Writing the Landscape

with Kathryn Remlinger

Date: Saturday, June 8, 2024, 10:00 a.m–1:00 p.m

Tuition: $75

This workshop includes lunch at 1:00 p.m.

The landscape is shaped by meanings reflected in colors, images, text, sounds, and signs that make up the natural and built environments surrounding us. Language and image are central to these meanings, and together they create a “languagescape” that make a place recognizable and identifiable. Workshop attendees will apply participant observation methods and mindful writing practices to describe the landscape surrounding Ox-Bow and analyze reflected meanings. Optionally, participants may incorporate collage, illustration, and/or found objects to their writing.

Kathryn Remlinger’s work relies on participant observation, ethnography, and mindful writing practices. Her research and publications are grounded in socio-cultural linguistic and linguistic landscape approaches to examine the role of language in meaning-making, place-making, and identity performance. Her publications include the book, Yooper Talk: Dialect as Identity in Michigan’s Upper Peninsula, and academic and popular press articles. She has taught writing for nearly 40 years to middle-schoolers, university students, and workshop participants, and for over 10 years she has integrated mindfulness practices into her daily routine and teaching. She has participated in and facilitated mindfulness workshops at Grand Valley State University and Paradigm Wellness Center in Grand Haven, Michigan. She holds a PhD in Rhetoric and Technical Communication from Michigan Technological University with a concentration in sociolinguistics.

Image courtesy of the artist.

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Jun
8
10:00 AM10:00

Drawing with Steel

Drawing with Steel

with Nick Fagan

Saturday, June 8, 2024, 10:00 a.m.–5:00 p.m.

Tuition: $150

This workshop includes lunch at 1:00 p.m.

Learn the basics of welding, bending, and cutting metal. We will translate a simple drawing of your own design into steel. Technical demonstrations will include hot and cold bending, modular construction, welding, and surface finishing strategies. You will quickly gain the know-how to safely use equipment in the Metals Studio! This course is suitable for all levels of experience. Leave with a great sculpture and heightened confidence after one day in the shop. Materials will be provided.

Nick Fagan is a multimedia artist based in Cape Cod. He has exhibited work in a number of galleries and shows across the United States, most recently the Egg Collective in New York, Massey Klein Gallery in New York, Tops Gallery in Memphis, Tennessee as well as the Seattle art fair with FFT and Future Art Fair with ADA Gallery. He has been awarded fellowships and residencies from the Skowhegan School of Painting and Sculpture, the MASS MoCA Studio Program and The Fine Arts Work Center in Provincetown. His work has been featured or reviewed in a number of publications, including Burnaway, NPR, Divergents Magazine, New American Paintings, and The Rib. Awards include a Kennedy VSA Artists with Disabilities Award, and Foundation of Contemporary Art Grant. He received his MFA in sculpture from Ohio State University in 2017.

Image courtesy of the artist.

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Jun
11
to Jun 14

Make a Splash with Watercolor!

Make a Splash with Watercolor!

with David R. Baker

Tuesday–Friday, June 11–14, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $210

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1 p.m.

Sometimes, watercolor paint applied to paper seems to have a mind of its own. This is particularly true when using wet-on-wet methods. In our class we will learn a variety of techniques to coax the paint into accepting our vision! In doing so we’ll create works that celebrate some of the unique characteristics of this medium. Students will be required to bring their own materials; a material list will be provided in advance. 

David Baker is a visual artist who specializes in poetic landscape painting, much of it done en plein air. His studio pieces are often reinterpretations of paintings done outdoors. His principal media are watercolor, oil, and charcoal. David is a lifelong artist/teacher. He recently retired as art professor Emeritus from Southwestern Michigan College. He earned his MFA degree from Indiana State University. Over the years he has mounted more than four dozen solo exhibits. He has taught at Ox-Bow School of Art since 2000 and at the Krasl Art Center since 2016. He serves on board of the South Haven Center for. He is represented by Rising Phoenix Gallery in Michigan City.

David Baker, Old Hickory, 2017, oil, 30 x 37 inches. Image courtesy of the artist.

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Jun
11
to Jun 14

Little House in the Big Woods: Cabins in Charcoal

Little House in the Big Woods: Cabins in Charcoal

with David R. Baker

Tuesday–Friday, June 11–14, 2024, 2:00 p.m.–5:00 p.m.

Tuition: $210

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1 p.m.

Capture the visual poetry of the filtered sunlight falling on one of Ox-Bow’s historic cabins. Enhance the timeless quality of this place by creating the scene in classic black and white. In the process, we will learn and employ a range of charcoal drawing techniques. Students will be required to bring their own materials; a material list will be provided in advance.

David Baker is a visual artist who specializes in poetic landscape painting, much of it done en plein air. His studio pieces are often reinterpretations of paintings done outdoors. His principal media are watercolor, oil, and charcoal. David is a lifelong artist/teacher. He recently retired as art professor Emeritus from Southwestern Michigan College. He earned his MFA degree from Indiana State University. Over the years he has mounted more than four dozen solo exhibits. He has taught at Ox-Bow School of Art since 2000 and at the Krasl Art Center since 2016. He serves on board of the South Haven Center for. He is represented by Rising Phoenix Gallery in Michigan City.

David Baker, Rivulet, 2020, charcoal, 11 x 14 inches. Images courtesy of the artist.

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Jun
15
10:00 AM10:00

Natural Ink Making on the Meadow

Natural Ink Making on the Meadow

with Elizabeth Schmuhl

Saturday, June 15, 2024, 10:00 a.m.–3:00 p.m.

Tuition: $120

This workshop includes lunch at 1 p.m.

Create original paintings, book marks, and cards with freshly foraged, handmade inks – and gain some inspiration for future inky experiments! We'll begin the day outside (so dress for the weather) foraging for plants and other natural materials. You are also encouraged to bring plants or other materials from home; anything can be used to create ink! Next, we will learn the ink-making process using your new found materials. Wrap up the day by experimenting with your fresh inks on different substrates. Materials will be provided.

Elizabeth Schmuhl is a multidisciplinary artist who creates work that explores nature, movement, and memory. Schmuhl deeply investigates the natural world, its cycles, and entropy, all of which inform her work. Schmuhl is a multidisciplinary artist and the author of Premonitions (Wayne State University Press). Her book of paintings created with natural ink from her centennial fruit farm in Benton Harbor, The Four Seasons, is out from Greying Ghost Press. Fishes of the Great Lakes, a book containing paintings with natural inks made entirely from the Great Lake watershed and materials that surround it, is her newest art book. She has shared her work globally and holds an MFA and a BA (University of Michigan). Schmuhl has taught at University of Michigan, Wayne State University, and elsewhere.

Images courtesy of the artist.

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Jun
15
10:00 AM10:00

Papermaking Play

Papermaking Play

with Rowan Leek

Saturday, June 15, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $125 per family

This workshop includes lunch at 1:00 p.m.


Join us for papermaking fun for the whole family. Learn to make your very own gorgeous paper, using different types of fiber, and leave with multiple sheets that can be air dried at home. We will explore various materials for papermaking including recycled paper, cotton, rag, and natural fibers. Family members will also paint together with brightly colored pulps to collaboratively form expressive and lively sheets of paper. After your paper is dry you can use it to craft, draw on it, or simply admire it as an artwork in its own right.

Rowan Leek is a multimedia artist who works in textiles and papermaking. He grew up in Memphis, TN and graduated from the Cleveland Institute of Art in 2020 with a BFA in Sculpture + Expanded Media. His work has been exhibited at the Artists Archive of CWRU, Bostwick Design Art initiative, Zygote, Women's Studio Workshop, and The Future.

Rowan Leek, Moon Lit Feild, 2022, Handmade Paper- sisal, cattail, hemp, abaca milkweed seeds, dried grass, crickets, grasshoppers, beetles, spider left overs, 30 x 40 inches. Images courtesy of the artist.

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Jun
18
to Jun 21

Two Approaches: Painting and Relief Printmaking in the Landscape

Two Approaches: Painting and Relief Printmaking in the Landscape

with Jasper Goodrich

Tuesday–Friday, June 18–21, 2024, 10:00 a.m.–1:00 p.m

Tuition: $215

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1 p.m.

How can painting and printmaking influence each other? This class explores the connection between landscape painting and relief printmaking. In the first half of class, students will learn to paint en plein air. We will focus on oil painting, but all painting/drawing media are welcome. Taking influence from the paintings in terms of how space, light, and emotion are depicted, students will then explore relief printmaking using woodblocks, linoleum, and MDF, learning carving and printing techniques. In relief printmaking, artists must think graphically, with often defined positive and negative space. Each way of working will inform and expand your art practice! Students will be required to bring some of their own materials; a material list will be provided in advance.

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Jun
22
10:00 AM10:00

Here’s What Matters

Here’s What Matters

with Jack Ridl

Date: Saturday, June 22, 2024, 10:00 a.m.–5:00 p.m.

Tuition: $125

This workshop includes lunch at 1:00 p.m.

Workshop participants will spend the day exploring, through their preferred form of writing, the things that have profoundly impacted their own lives—whether they are funny, traumatic, serious, sorrowful, or joyous. Using Jack’s suggestions, writers will first talk with one another about what subject they have chosen. Then, they will have time to explore that choice in writing, after which the group will engage in a delightful debriefing about what showed up as they wrote, culminating in a deeply memorable day.

Jack Ridl, Poet Laureate of Douglas, Michigan (Population 1100), is the author of Saint Peter and the Goldfinch (Wayne State University Press). His Practicing to Walk Like a Heron (WSUPress, 2013) was co-recipient of the National Gold Medal for Best Collection of Poetry by ForeWord Reviews. His collection Broken Symmetry (WSUPress) was co-recipient of The Society of Midland Authors best book of poetry award for 2006. His Losing Season (CavanKerry Press) was named the best sports book of the year for 2009 by The Institute for International Sport. Then Poet Laureate Billy Collins selected his Against Elegies for The Center for Book Arts Chapbook Award. Individual poems have been published in The Georgia Review, Poetry, Colorado Review, Rattle, North American Review, Prairie Schooner, Field, Poetry East, and elsewhere.The students at Hope College named him both their Outstanding Professor and their Favorite Professor, and in 1996 The Carnegie (CASE) Foundation named him Michigan Professor of the Year. More than 85 of Jack’s students have earned their MFA degree and over 100 are published, several of whom have received First Book Awards, national honors. Every Thursday Jack hosts and posts on YouTube his monologue “The Sentimentalist.”For further information about Jack, his website is www.ridl.com.

Image courtesy of the artist.

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Jun
22
10:00 AM10:00

Seek: Ox-Bow Treasure Hunt

Seek: Ox-Bow Treasure Hunt

with Kim Meyers Baas

Saturday, June 22, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $125 per family

This workshop includes lunch at 1:00 p.m.

Prepare for an active day exploring Ox-Bow’s campus. This interactive hunt will have families collecting artifacts and documenting treasures while visiting the art studios and unique locations of Ox-Bow. Develop map-reading skills, use compasses, and discover how artists develop a deeper connection to the natural world around them.

Kim Meyers Baas is an arts educator who has worked in public and private settings in Michigan, Chicago, and on the Mexican/Texas border cultivating youth artists and community workers since 1992. Her teaching and art making practice focuses on exploring family identity, inequality, migration, cultural recognition, art + technology literacy, and media representation in marginalized communities. Kim has worked as an artist educator with Kentwood Public Schools, Ox-Bow Summer School of Art, Calvin University, Kendall College of Art & Design, Chicago Public Schools, Valley AIDS Council, and The School of the Art Institute of Chicago. Kim holds a BA from Loyola University Chicago & MAAE from The School of the Art Institute of Chicago.

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Jun
25
to Jun 28

Macram​​é-nia!

Macram​​é-nia!

Johanna Cordasco

Tuesday–Friday, June 25–28, 2024, 2:00 p.m.–5:00 p.m.

Tuition: $235

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1:00 p.m.


Learn how to create a macramé wall hanging of your own design, beginning by loading string or twine onto a dowel or stick using lark's head knots. Then, develop patterns out of repeating knots: square knots, decorative knots, half hitches, and more! An array of materials will be available for your use, and you can bring in your own components to weave into your work.

Johanna Cordasco is an interdisciplinary artist focusing on sculpture and textiles, currently working at Mason Gross School of the Arts in New Brunswick, New Jersey as a Co-Adjunct. Cordasco is a graduate of Mason Gross School of the Arts, where she earned a BFA with a concentration in sculpture and minors in art history and psychology.

Crater, 2021, 2.5 ft. x 6 in. x 2.5 feet, metal frame, paper, glue, string, twine, metal wheel rim, chain. Image courtesy of the artist.

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Jun
29
10:00 AM10:00

Watercolor Painting for Families

Watercolor Painting for Families

with Kim Meyers Baas

Saturday, June 29, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $125 per family

This workshop includes lunch at 1:00 p.m.

Ox-Bow’s campus provides hundreds of beautiful views for painting the landscape. Families will explore views of the lagoon, meadow, and woods while painting en plein air with watercolor. Experiment with techniques such as washes, color mixing, mark making, and creating textures inspired by the natural environment.

Kim Meyers Baas is an arts educator who has worked in public and private settings in Michigan, Chicago, and on the Mexican/Texas border cultivating youth artists and community workers since 1992. Her teaching and art making practice focuses on exploring family identity, inequality, migration, cultural recognition, art + technology literacy, and media representation in marginalized communities. Kim has worked as an artist educator with Kentwood Public Schools, Ox-Bow Summer School of Art, Calvin University, Kendall College of Art & Design, Chicago Public Schools, Valley AIDS Council, and The School of the Art Institute of Chicago. Kim holds a BA from Loyola University Chicago & MAAE from The School of the Art Institute of Chicago.

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Jun
29
10:00 AM10:00

New Beginnings in Creative Community

New Beginnings in Creative Community

with Jack and Meridith Ridl

DATE: Saturday, June 29, 2024, 10:00 a.m.–5:00 p.m.

Tuition: $125

This workshop includes lunch at 1:00 p.m.

Jack and Meridith Ridl believe that the doing of art and writing brings about realizations and valuable experiences that can happen no other way. They also have more than 60 combined years spent “de-threatening” the art-making process. They offer a workshop that starts something for participants. They hope that you will leave at home any notions of departing Ox-Bow with something completed; instead, they will encourage you to start many things – written pieces, creative notions, seeds of ideas. They strive to create an “Instant Community” where conversation throughout the day is stimulating, a joy, worthwhile; where participants become “Instant Friends.”

Jack Ridl, Poet Laureate of Douglas, Michigan (Population 1100), is the author of Saint Peter and the Goldfinch (Wayne State University Press). His Practicing to Walk Like a Heron (WSUPress, 2013) was co-recipient of the National Gold Medal for Best Collection of Poetry by ForeWord Reviews. His collection Broken Symmetry (WSUPress) was co-recipient of The Society of Midland Authors best book of poetry award for 2006. His Losing Season (CavanKerry Press) was named the best sports book of the year for 2009 by The Institute for International Sport. Then Poet Laureate Billy Collins selected his Against Elegies for The Center for Book Arts Chapbook Award. Individual poems have been published in The Georgia Review, Poetry, Colorado Review, Rattle, North American Review, Prairie Schooner, Field, Poetry East, and elsewhere.The students at Hope College named him both their Outstanding Professor and their Favorite Professor, and in 1996 The Carnegie (CASE) Foundation named him Michigan Professor of the Year. More than 85 of Jack’s students have earned their MFA degree and over 100 are published, several of whom have received First Book Awards, national honors. Every Thursday Jack hosts and posts on YouTube his monologue “The Sentimentalist.”For further information about Jack, his website is www.ridl.com.

Meridith Ridl is an artist and an art teacher Holland Public Schools. Much of her painting and drawing work explores gestures that might suggest tenderness, humor, gentleness, loneliness…arrangements that might have a wobble, or that ""aren’t quite right."" Her work ranges from meditative, delicate, and quiet to more tipsy and quirky. She recieved a BA in Studio Art from the College of Wooster and MFA from the University of Michigan. Her work is represented by Lafontsee Gallery in Grand Rapids, MI. He first illustrated book (The Lake Michigan Mermaid by authors Linda Nemec Foster and Anne-Marie Oomen was given a Michigan Notable Book Award in 2019.

Meridith Ridl, Pause, 2020, acrylic on panel, 11” x 14”

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Jul
6
10:00 AM10:00

Sculptural Cake Building

Sculptural Cake Building

with Magnet Curry

Saturday, July 6, 2024, 10:00 a.m–5:00 p.m.

Tuition: $150

This workshop includes lunch at 1:00 p.m.

There is a limitless range of creative approaches to contemporary cake decorating. This workshop will help you elevate your cake making to an art form! Learn tiered cake construction; piping and spatula techniques; flavor profiling; adornment and floral arranging. We will discuss the juxtaposition of permanent and perishable sculptures and the history of cake decorating. This workshop is beginner-friendly, doesn’t include baking or the use of any electrical appliances, and is open to all levels of experience. Cakes and decorative edible materials will be provided. Take home a cake creation of your own design at the end of the day!

An image of Magnet Curry with a cake and a close up of an orange and blue cake with herbs. Images courtesy of the artist.

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Jul
6
10:00 AM10:00

One-Page-Wonder Artist Books: An Introduction to Screen Printing

One-Page-Wonder Artist Books: An Introduction to Screen Printing

with Melissa Dettloff

Saturday, July 6, 2024, 10:00 a.m.–5:00 p.m.

Tuition: $130

This workshop includes lunch at 1 p.m.

Learn the basics of screen printing by making your own accordion-folded, single-sheet, screen printed artist's book. This workshop is great for beginners or those looking to refresh their print skills! You'll learn the basics of screen printing and a simple approach to bookmaking using a single sheet of paper. You will create your own screen using accessible techniques that can be easily replicated at home. We’ll use provided images plus those you create using handmade stencils and foraged foliage. You will go home with a handmade book you made yourself, and a zine created by the instructor to help replicate these simple processes at home. Materials will be provided.

Melissa Dettloff is a printmaker and teaching artist based in Detroit. Her current work is inspired by urban ecology and creating community through art. First introduced to screen printing as an art student at Wayne State University, Melissa has been making screen prints for over twenty years. With her friends, she co-owned Ocelot Print Shop, a community screen printing shop in Detroit’s Cass Corridor, for five years. Melissa has been teaching art and screen printing workshops for over ten years and maintains an art practice in her home print studio. She has shown her work nationally and locally, including at the Detroit Institute of Arts.

Melissa Dettloff, Still Life, 2023, three-color screen print on paper, 4.25 x 5.5 inches. Images courtesy of the artist.

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Jul
16
to Jul 19

Drawing As Meditation

Drawing As Meditation

with Janet Trierweiler

Dates: Tuesday–Friday, July 16–19, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $210

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1 p.m.


This workshop provides students with a chance to practice drawing techniques that slow down the art-making process, resulting in a peaceful and healing experience. Use intuition and inspiration from Ox-Bow’s landscape to connect to natural, creative forces. Through meditative practices, we will engage all of our senses to enjoy calming, observational, and imaginative drawing. Learn to use tone and color to create serene and joyful moods with water soluble materials on watercolor paper. Students will be required to bring their own materials; a material list will be provided in advance.

Janet enjoys creating gestural abstract paintings. Her focus is on the sensual nature of art and the healing aspect of beauty. “Like the meeting point of mind and body, experienced through yoga and the Chakra system, artistic composition can be felt both physically and through conscious response.” This interest in the full spectrum of human experience, from primal instincts to highest consciousness led to her studies of Eastern art and healing, becoming a Reiki Master through the Usui Shiki Ryoho System of Natural Healing and Certified Feng Shui Designer at the New York Institute of Art and Design.  Janet says, the acceptance of paradox has been one of the most healing lessons of her life.  Her process reflects this attitude.  It is both fluid and structural, organic and geometric.
Janet is a graduate of the School of the Art Institute of Chicago where she received her BFA in Studio Art, she teaches drawing and painting, currently online, and leads workshops on Drawing as Meditation as well as other topics. Collectors include Northwestern University, the Illinois Institute of Art, Frank Thomas and Fifield Companies.

Janet Trierweiler, Behavior, 2024, oil on canvas, 32 x32 inches. Images courtesy of the artist.

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Jul
20
10:00 AM10:00

Landscape Painting

Landscape Painting

with James Brandess

Saturday, July 20, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $75 per session

This workshop includes lunch at 1:00 p.m.

In these multi-level oil painting workshops, students will paint outdoors in the historic Ox-Bow landscape. Instruction will focus on recognizing and then painting what we actually see. Through this process of learning to see, we will create paintings that have veracity and strength. The workshop will include discussion of the tools and materials needed to set-up and paint in any landscape you choose. Sign up for one, two, or all sessions of these three-hour morning painting workshops on the meadow alongside the lagoon. Students will be required to bring their own materials; a material list will be provided in advance. Please note that you must sign up for each session separately.

“I am a painter. I work primarily in oil. I studied at the School of the Art Institute of Chicago. My relationship with Ox-Bow started in 1987 when, as a student at the School of the Art Institute, I answered an ad for a summer job. While at Ox-Bow, I began my practice of painting landscapes and people. I currently work in Saugatuck, Michigan. My studio and gallery has been in operation in downtown Saugatuck since 1994.” –James Brandess

James Brandess, 2022, Texas Bluebonnets, oil on canvas, 9 x 6 inches. Images courtesy of the artist.

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Jul
20
to Jul 21

Painterly Printing with a Gelli Plate

Painterly Printing with a Gelli Plate

with Janet Trierweiler

Saturday–Sunday, July 20–21, 2024, 10:00 a.m.–5:00 p.m.

Tuition: $215

This workshop includes lunch at 1 p.m. on Saturday and brunch at noon on Sunday.

Experimenting with Gelli Plate monotypes can add a playful and exciting new dimension to any painting practice. Gelli Plates are durable, reusable and store at room temperature, allowing for easy monoprinting without a press! Working in layers, students will experiment with mark-making, stencils, masking, and making creative tools out of common household items. Learn how to use the right paper to get the effects you desire. Water-based ink, Golden Open Acrylics or fluid acrylics can be used with Gelli Plates. Gelli Plates will be provided for in-class use.

Janet enjoys creating gestural abstract paintings. Her focus is on the sensual nature of art and the healing aspect of beauty. “Like the meeting point of mind and body, experienced through yoga and the Chakra system, artistic composition can be felt both physically and through conscious response.” This interest in the full spectrum of human experience, from primal instincts to highest consciousness led to her studies of Eastern art and healing, becoming a Reiki Master through the Usui Shiki Ryoho System of Natural Healing and Certified Feng Shui Designer at the New York Institute of Art and Design.  Janet says, the acceptance of paradox has been one of the most healing lessons of her life.  Her process reflects this attitude.  It is both fluid and structural, organic and geometric.
Janet is a graduate of the School of the Art Institute of Chicago where she received her BFA in Studio Art, she teaches drawing and painting, currently online, and leads workshops on Drawing as Meditation as well as other topics. Collectors include Northwestern University, the Illinois Institute of Art, Frank Thomas and Fifield Companies.

Janet Trierweiler,, Coast, 2024, mix media on panel, 8"x10" inches. Images courtesy of the artist.

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Jul
23
to Jul 26

Drawing for Painters

Drawing for Painters

with Dawn Stafford

Tuesday–Friday, July 23–26, 2024, 10 a.m.–1 p.m.

Tuition: $210

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1 p.m.


This basic drawing workshop in Ox-Bow’s natural landscape is suitable for anyone who ponders these questions: How is drawing important to painting? Where does one leave off, and the other begin? How does light give form to the things around us? Why does “conservation of values” matter? Students will deepen their drawing skills with a nod to the painter within and with a specific understanding of structure, value, and composition. Painting problems are often drawing problems. This workshop is aimed at strengthening both, in turn. Be prepared to get messy with charcoal! Drawing references and demonstrations will be shared, as well as group discussion. Students will be required to bring their own materials; a material list will be provided in advance.

Dawn Stafford is a full-time artist working in the Saugatuck/Fennville area. Her oil paintings of West Michigan’s landscape, rural fauna & flora, and everyday human objects explore subtle color palettes, rhythms, and harmonies that seek to reduce the noise of the outer world. Often using color and scale to effect a sense of intimacy, atmosphere, or presence. Painter, artist, teacher, mother, and gardener she creates and exhibits her work in a repurposed historic one-room schoolhouse, The Peachbelt Studio - formerly the Peachbelt Schoolhouse, ca 1867. Open weekends seasonally, May - October. Since 1996 she has participated as both student and staff member at Oxbow, as kitchen staff, teaching assistant, course instructor, and Art on the Meadow facilitator. Originally from New York, she received her BFA from Swain School of Design in Massachusetts before moving to Michigan in 1992. Her work is widely collected.

Dawn Stafford, Vintage Schwinns, oil on canvas. Images courtesy of the artist.

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Jul
25
4:00 PM16:00

Principles of Pad Thai

Principles of Pad Thai

with Daniel Pravit Fethke

Thursday, July 25, 2024, 4:00 p.m.–7:00 p.m.

Tuition: $90

This workshop will conclude with a group meal of your collective making.

Principles of Pad Thai is a hands-on workshop where participants will learn the ins and outs of how to make this famous Thai dish. We will make Pad Thai from scratch in an outdoor cooking environment alongside the Ox-Bow Lagoon, accompanied by a food-historical lecture and discussion of the political and cultural roots that bring this storied recipe to our plates. All ingredients will be provided.

Daniel Pravit Fethke is a Thai-American interdisciplinary artist, filmmaker, educator, and activist. He regularly facilitates workshops, cooking classes, and creative gatherings that center food and recipes as ways to explore identity and culture. He has exhibited work internationally in Bangkok, Berlin, Barcelona, and New York City, having shown at the Yale School of Art, Recess Art Space, and the Knockdown Center. Daniel has published food-based writing in the Berlin-based Soft Eis Magazine, as well as with Commercial Type's online catalog. He co-founded the mutual aid food pop-up Angry Papaya, and has hosted workshops at the CUNY Graduate Center as well as the Ox-Bow School of Art. Daniel received his BA in Modern Culture & Media Studies from Brown University in 2015. He recently published an autobiographical Thai-American cookbook through Pratt Institute, where he also received his MFA in Integrated Practices in 2023. He currently lives and works in Crown Heights, Brooklyn.

Images courtesy of the artist.

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Jul
27
10:00 AM10:00

Make a Statement with Screen Printing

Make a Statement with Screen Printing

with Yeji Kim

Saturday, July 27, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $125 per family

This workshop includes lunch at 1:00 p.m.

Collaborate on your own screen printed family T-shirt design! For decades, graphic T-shirts have been used to convey a wide array of statements, spanning from comical and heartfelt to political and satirical. We will explore how T-shirts have served as a medium for diverse commentaries, and then each family will formulate their own statement and design accompanying graphics. Every participant will then print their family’s design on their own shirt. White T-shirts of various sizes will be provided; bring your own other printable cloth or paper if you so desire.

Yeji Kim is a Brooklyn-based multidisciplinary artist and graphic designer who collects negative spaces between narratives, lived experiences, texts, and images, and materializes them as paintings, books, sounds, animations, sculptures, and prose. She holds a BFA from The Cooper Union and has been recognized with various awards, including the Sarah Cooper Hewitt Fund Prize for Excellence in Art, The Center for Book Arts Scholarship, and the Leroy Neiman Fellowship at Ox-Bow School of Art. Her works have been exhibited in diverse spaces across NYC and beyond, such as Socrates Sculpture Park, Entrance NYC, Flushing Meadows Corona Park, and The Juilliard School. In her design practice, she has collaborated with a range of arts, advocacy, cultural, and educational institutions, including the National Audubon Society, Nonhuman Teachers, Museum Hue, Food Education Fund, and Pratt Institute. During her free time, Yeji co-organizes the East Village Zine Fair, volunteers as a designer and art director at 8-Ball Community, co-runs Misplaced Press, a small independent publisher, and enjoys baking killer sourdough.

Yeji Kim, Dancing for Who?, 2022, Laserprint on paper, 24 x 36 inches. Images courtesy of the artist.

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Jul
27
11:00 AM11:00

The Thai Table

The Thai Table

with Daniel Pravit Fethke

Date: Saturday, July 27, 2024, 11:00 a.m.–8:00 p.m

Tuition: $150

This workshop will include snacks along the way, and conclude with a group meal of your collective making.


An alternative cooking class, The Thai Table will take a succulent, in-depth dive into the delicious, messy, and spicy details of Thai food. Focusing on Bangkok-style cooking, we will explore the spicy-sour-sweet-salty axes of Thai cuisine—all while cooking a well-rounded dinner feast that emphasizes balance and high-quality ingredients (which will all be provided).

Daniel Pravit Fethke is a Thai-American interdisciplinary artist, filmmaker, educator, and activist. He regularly facilitates workshops, cooking classes, and creative gatherings that center food and recipes as ways to explore identity and culture. He has exhibited work internationally in Bangkok, Berlin, Barcelona, and New York City, having shown at the Yale School of Art, Recess Art Space, and the Knockdown Center. Daniel has published food-based writing in the Berlin-based Soft Eis Magazine, as well as with Commercial Type's online catalog. He co-founded the mutual aid food pop-up Angry Papaya, and has hosted workshops at the CUNY Graduate Center as well as the Ox-Bow School of Art. Daniel received his BA in Modern Culture & Media Studies from Brown University in 2015. He recently published an autobiographical Thai-American cookbook through Pratt Institute, where he also received his MFA in Integrated Practices in 2023. He currently lives and works in Crown Heights, Brooklyn.

Images courtesy of the artist.

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Jul
30
to Aug 2

Drawings in Space

Drawings in Space

with Zehra Khan

Tuesday–Friday, July 30–August 2, 2024, 2:00 p.m.–5:00 p.m.

Tuition: $210

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1 p.m.


Playfully expand your art practice! We will begin by making drawings. We will then cut out and pose our 2D drawings into 3D environments, creating different ways to experience the work – both in-person and through basic photographic and video documentation. We will use unconventional materials like found objects and organic matter and try varied processes, putting our drawing into the contexts of sculptures, texts, and more. We will use our experiments to discuss the different venues for experiencing art – online, in galleries, and in public spaces. Students will be required to bring some of their own materials; a material list will be provided in advance.

Zehra Khan is a multi-disciplinary artist whose current preferred medium is hot glue. Often absurdist and provocative, Khan uses unconventional found materials and methods to create combinations of drawing, sculpture, installation, performance, photography, and film. Zehra is Pakistani and American, born in Indonesia. She received an MFA from the Massachusetts College of Art & Design in 2007, and a BS from Skidmore College. Khan loves attending artist residencies including Yaddo, the Studios of Key West, Ox-Bow, the Vermont Studio Center, Ellis-Beauregard Foundation, Art Space Sonahmoo in South Korea, and Space A in Kathmandu. Zehra is based out of Chicago where she works as an artist and educator.

Zehra Khan, Last Cigarette, 2010, acrylic paint on canvas, paper and self, 69 x 84 x 36 inches. Images courtesy of the artist.

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Jul
30
to Aug 2

Getting Koozie: Dimensional Crochet 

Getting Koozie: Dimensional Crochet 

with kg

Tuesday–Friday, July 30–August 2, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $235

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1:00 p.m.


For Getting Koozie, participants are asked to bring an object for which they wish to create a custom-fit slipcover. Using very basic crochet stitches, we will work to create a dimensional form to fit snugly around the item. This can be a permanent skin affixed around the object, or a usable, removable cover. Along the way, you will learn a working set of crochet skills that can be applied to future projects! No previous crochet knowledge needed. Basic materials and tools for in-class use will be provided. 

kg (b.1980, Poland) makes weavings and writes poetry from their home studio by the lake in Chicago. kg values the small the domestic and the everyday, situating those politics in their studio and curatorial practices. They have exhibited work with Horse and Pony (Berlin), The Brooklyn Academy Of Music,The Bruce High Quality Foundation and The Gowanas Ballroom (New York), Left Field Gallery and Adjunct Positions (Los Angeles), Katherine E. Nash Gallery (Minneapolis), Monique Meloche Gallery, Gallery 400, Julius Caesar and LVL3 (Chicago), The John Michael Kohler Art Center (Wisconsin) and their most recent solo exhibition, Here Comes That Feeling at Hawthorne Contemporary in Milwaukee. Some Kind Of Duty, Their expansive weaving survey hosted by The DePaul Art Museum is available as a monograph through the museum shop and online. In 2017 kg attended The Skowhegan School of Painting and Sculpture and The Vermont Studio Center as a fellow in 2018. Current exhibitions include Intranarratives hosted by the Musée d'art Contemporain de Montréal. Upcoming shows include Stitch, Woven, Hooked at The Lubeznik art Center and Beyond: Tapestry Expanded at The Peeler Art Center at DePauw University.

kg, Only A Broken Heart (for mama), 2022

Materials / poetic material list:

here come

a couple of

blue things

roped into

the place where you

keep your

secrets

on a splinter

held out for

ever

Size: 10” x 14”

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Aug
3
to Aug 4

Risography and Collage

Risography and Collage

with Madeleine Aguilar

Saturday–Sunday, August 3–4, 2024, 10:00 a.m.–5:00 p.m.

Tuition: $215

This workshop includes lunch at 1 p.m. on Saturday and brunch at noon on Sunday.

Risography is a print process that can be described as "digital screen printing". It's an accessible form of duplication through which translucent inks combine to create a palette of vibrant and fluorescent colors. Come learn the fundamentals of Risography while working with hand-cut collage methods and drawing to generate imagery and produce a suite of editioned prints. We will learn to work improvisationally between analog and digital processes and experiment with color mixing. We will cover basic printmaking techniques such as layering and registration, while being open to the imperfect and serendipitous qualities of RISO. We will utilize the RISO scan bed to print & reproduce hand cut collages and drawings. Materials will be provided.

Madeleine Aguilar tells stories, builds archives, maps spaces, constructs furniture, records histories, organizes data, catalogs objects, prints publications, creates frameworks, collects imagery, acquires trades, ties knots, re-purposes materials, imitates structures, utilizes chance, plays instruments, follows intuition, prompts participation, guides observation, leaves evidence, develops routines, takes walks, breaks habits, and makes lists. Using the archive as form, she acknowledges the passing of time by cataloging lived spaces, collected objects, familial histories, personal relationships, natural phenomena, mundane routines, and ephemeral moments. She runs bench press, a collaborative Risograph press based in Chicago, and is currently Print & New Media Studio Manager at Ox-Bow School of Art and Artists’ Residency.

Madeleine Aguilar & bex ya yolk, Prototypes for Compatibility (1 of 3), 2023, Paper, PVA, and sandstone. Images courtesy of the artist.

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Aug
3
10:00 AM10:00

Flowering: History & Arrangement

Flowering: History & Arrangement

with Maddie Reyna

Saturday, August 3, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $130

This workshop includes lunch at 1 p.m.


This workshop will invite students to create a living sculpture with florals. We will consider foundational historical styles including Dutch Baroque, Ikebana, and contemporary movements, and experiment with vessel armature techniques such as wire mesh, pin frog, and tape grid. Local and exotic live flowers will be provided to each participant, and after demonstration, arranging, and group discussion, they will take their ephemeral arrangement home. For a full-day making experience, during which you will make a painting of a floral arrangement, sign up for the second part of this workshop, Floral Still Life Painting led by James Brandess!

Maddie Reyna is an American painter who began arranging flowers as a way to have live subjects for her work. That practice has come to stand alone as she applies considerations of color, form, and composition to three-dimensional organic matter. She has a Masters in Painting and Drawing from the School of the Art Institute of Chicago, studied at The Flower School of New York, designs flower arrangements for brides and other party throwers in Chicago, and is the Academic Program Director for Ox-Bow School of Art.

Arrangement on the Meadow by Maddie Reyna. Images courtesy of the artist.

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Aug
3
2:00 PM14:00

Floral Still Life Painting

Floral Still Life Painting

with James Brandess

Saturday, August 3, 2024, 2:00 p.m.–5:00 p.m.

Tuition: $75

This workshop includes lunch at 1:00 p.m.

Learn to paint a floral still life in oils from a local master. Turn your focus to painting from observation, using a demo floral arrangement made that morning as the subject. Luxuriate in the colorful playness and compositional inspiration that only flowers can provide. Students will be required to bring their own materials; a material list will be provided in advance. For a full-day making experience, during which you will make your own floral arrangement, sign up for the first part of this workshop, Flowering: History and Arrangement led by Maddie Reyna!

“I am a painter. I work primarily in oil. I studied at the School of the Art Institute of Chicago. My relationship with Ox-Bow started in 1987 when, as a student at the School of the Art Institute, I answered an ad for a summer job. While at Ox-Bow, I began my practice of painting landscapes and people. I currently work in Saugatuck, Michigan. My studio and gallery has been in operation in downtown Saugatuck since 1994.” –James Brandess

James Brandess, An Autumn Bouquet, 2022, oil on canvas, 34 x 30 inches. Images courtesy of the artist.

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Aug
6
to Aug 9

Twisted Treasures: Wire Basket Weaving

Twisted Treasures: Wire Basket Weaving

with Day Brierre

Tuesday–Friday, August 6–9, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $235

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1:00 p.m.

This hands-on experience invites participants to create sculptural vessels at the intersection of traditional basket weaving and contemporary aesthetics. Attendees will learn the techniques of manipulating wire into intricate patterns to create stunning and functional wire baskets. Basic materials and tools for in-class use will be provided.

Day Brierre, Guts, 2023, wire. Images courtesy of the artist.

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Aug
10
10:00 AM10:00

Landscape Painting

Landscape Painting

with James Brandess

Saturday, August 10, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $75 per session

This workshop includes lunch at 1:00 p.m.

In these multi-level oil painting workshops, students will paint outdoors in the historic Ox-Bow landscape. Instruction will focus on recognizing and then painting what we actually see. Through this process of learning to see, we will create paintings that have veracity and strength. The workshop will include discussion of the tools and materials needed to set-up and paint in any landscape you choose. Sign up for one, two, or all sessions of these three-hour morning painting workshops on the meadow alongside the lagoon. Students will be required to bring their own materials; a material list will be provided in advance. Please note that you must sign up for each session separately.

“I am a painter. I work primarily in oil. I studied at the School of the Art Institute of Chicago. My relationship with Ox-Bow started in 1987 when, as a student at the School of the Art Institute, I answered an ad for a summer job. While at Ox-Bow, I began my practice of painting landscapes and people. I currently work in Saugatuck, Michigan. My studio and gallery has been in operation in downtown Saugatuck since 1994.” –James Brandess

James Brandess, 2022, Texas Bluebonnets, oil on canvas, 9 x 6 inches. Images courtesy of the artist.

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Aug
10
10:00 AM10:00

Watercolor Painting for Tweens and Teens

Watercolor Painting for Tweens and Teens

with Kim Meyers Baas

Saturday, August 10, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $75

This workshop includes lunch at 1 p.m.

This workshop offers students ages 8-16 the opportunity to explore views of the lagoon, meadow, and woods while painting en plein air with watercolor. Experiment with techniques such as washes, color mixing, mark making, and creating textures inspired by the natural environment. This is a drop-off workshop for youth ages 8-16 only! Parents are welcome to drop off their young artists or to stay on campus during the course of the workshop. Adults are encouraged to consider taking Landscape Painting by James Brandess, which runs concurrently.

Kim Meyers Baas is an arts educator who has worked in public and private settings in Michigan, Chicago, and on the Mexican/Texas border cultivating youth artists and community workers since 1992. Her teaching and art making practice focuses on exploring family identity, inequality, migration, cultural recognition, art + technology literacy, and media representation in marginalized communities. Kim has worked as an artist educator with Kentwood Public Schools, Ox-Bow Summer School of Art, Calvin University, Kendall College of Art & Design, Chicago Public Schools, Valley AIDS Council, and The School of the Art Institute of Chicago. Kim holds a BA from Loyola University Chicago & MAAE from The School of the Art Institute of Chicago.

Images courtesy of the artist.

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Aug
13
to Aug 16

100% Pure Wool

100% Pure Wool

with Christina Sweeney

Tuesday–Friday, August 13–16, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $235

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1:00 p.m.


Ensconce yourself in an introduction to the process of felting. We will explore the narratives of felting history, labor, and functionality while working in a more contemporary, concept-driven manner. Students will learn both needle and wet felting techniques and execute at least one finished work from each section. We will run through the basics, from acquiring the wool and proper tools to formulating a title and response to our finished pieces. We will work both collaboratively and independently while possibly drawing inspiration from the Ox-Bow campus. Wool and basic tools for in-class use will be provided.

Christina Sweeney is an interdisciplinary artist, educator and collaborator from South Florida. She works predominantly with wool, pigments, clay and the found object while addressing themes of protection, climate, harsh weather realities and labor and production. Christina received her Bachelors of Fine Arts from the School of the Art Institute of Chicago in 2012 and has been living in between West Michigan,New York City and Chicago ever since. She enjoys working on community based projects and meeting new people. When not in the studio or working for arts non-profts you can find her at the beach or lakefront.

Images courtesy of the artist.

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Aug
16
4:00 PM16:00

Breaking Down the Bird

Breaking Down the Bird

with Stella Brown

Friday, August 16, 2024, 4:00 p.m.–7:00 p.m.

Tuition: $90

This workshop will conclude with a group meal of your collective making.


Learn how to break down, or butcher, a raw chicken to prepare it for cooking. The secrets to different chicken techniques, including how to roast a bird to perfection, will be revealed! The workshop will also cover broth-making basics, so no bits go to waste. The experience will culminate in the preparation of a chicken-centered meal to be shared at the end of class, all ingredients provided.

Stella Brown is a native Chicagoan, artist, and curator. In 2009 she received her BA from New York University’s Gallatin School of Individualized and an MFA in Studio Art from the University of Illinois at Chicago, School of Art & Art History in 2019. She was the Founding Director of the Buddy store at the Chicago Cultural Center. She has been involved with the ACRE (Artist Cooperative Residency & Exhibitions) Kitchen Program since 2015. In her artwork, areas of  examination include the Anthropocene era of man-made geology, contemporary ecological restoration practices in the Chicago region, the history of museum display and natural history practices, and display and consumerism in store displays and souvenir shops. In the last five years she has presented her own artwork and curated a number of public exhibitions and programming events at venues including Gallery 400, University of Wisconsin-Madison, Goldfinch Gallery, the Museum of Contemporary Art Chicago, ACRE, and Shoot the Lobster.

Image courtesy of the artist.

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Aug
17
10:00 AM10:00

Introduction to Indigo and Shibori

Introduction to Indigo and Shibori

with Sue Cortese

Saturday, August 17, 2024, 10:00 a.m.–5:00 p.m.

Tuition: $130

This workshop includes lunch at 1 p.m.

Learn to use indigo dye and several shibori, or Japanese manual tie-dyeing, techniques to create stunning textiles. We will learn several tying methods and then use an indigo vat to dye the bound cloth. In Arashi, we will use a pole to help manipulate the fabric. In Itajime, we will fold and bind the fabric between boards or sticks. In Kumo, we will use string to bind the fabric. We will also touch on stitched or nui shibori. Try out all styles or concentrate on one or two! You will be given a yard of cloth on which to practice techniques, but you may also bring their own pre-washed clothing or fabric to use.

Sue Cortese is textile artist who lives in Holland, Michigan. Using indigo dye and shibori manipulations allows broaden her work. Please see website for more information.

Sue LaWall Cortese, Bound to Tradition, Bound to Traditions 3, 2022, Textile, 42 x 78 inches. Images courtesy of the artist.

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Aug
17
10:00 AM10:00

Landscape Painting

Landscape Painting

with James Brandess

Saturday, August 17, 2024, 10:00 a.m.–1:00 p.m.

Tuition: $75 per session

This workshop includes lunch at 1:00 p.m.

In these multi-level oil painting workshops, students will paint outdoors in the historic Ox-Bow landscape. Instruction will focus on recognizing and then painting what we actually see. Through this process of learning to see, we will create paintings that have veracity and strength. The workshop will include discussion of the tools and materials needed to set-up and paint in any landscape you choose. Sign up for one, two, or all sessions of these three-hour morning painting workshops on the meadow alongside the lagoon. Students will be required to bring their own materials; a material list will be provided in advance. Please note that you must sign up for each session separately.

“I am a painter. I work primarily in oil. I studied at the School of the Art Institute of Chicago. My relationship with Ox-Bow started in 1987 when, as a student at the School of the Art Institute, I answered an ad for a summer job. While at Ox-Bow, I began my practice of painting landscapes and people. I currently work in Saugatuck, Michigan. My studio and gallery has been in operation in downtown Saugatuck since 1994.” –James Brandess

James Brandess, 2022, Texas Bluebonnets, oil on canvas, 9 x 6 inches. Images courtesy of the artist.

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Aug
17
11:00 AM11:00

Tortilla Making & Cooking Techniques

Tortilla Making & Cooking Techniques

with Stella Brown

Date: Saturday, August 17, 2024, 11:00 a.m.–3:00 p.m.

Tuition: $100

This workshop will conclude with a group meal of your collective making.

Make your own fresh corn tortillas from masa! This process will be supported by educational information on the production of masa. Your culinary experience will encompass various cooking techniques for tortillas, including quesadillas with Oaxacan squash blossom soup and chilaquiles. The day will include all components and techniques necessary to result in a Mexican-inspired meal of your collective making.

Stella Brown is a native Chicagoan, artist, and curator. In 2009 she received her BA from New York University’s Gallatin School of Individualized and an MFA in Studio Art from the University of Illinois at Chicago, School of Art & Art History in 2019. She was the Founding Director of the Buddy store at the Chicago Cultural Center. She has been involved with the ACRE (Artist Cooperative Residency & Exhibitions) Kitchen Program since 2015. In her artwork, areas of  examination include the Anthropocene era of man-made geology, contemporary ecological restoration practices in the Chicago region, the history of museum display and natural history practices, and display and consumerism in store displays and souvenir shops. In the last five years she has presented her own artwork and curated a number of public exhibitions and programming events at venues including Gallery 400, University of Wisconsin-Madison, Goldfinch Gallery, the Museum of Contemporary Art Chicago, ACRE, and Shoot the Lobster.

Photo courtesy of the artist.

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Aug
20
to Aug 23

Renewed Ready-to-Wear

Renewed Ready-to-Wear

with Gurtie Hansell 

Tuesday–Friday, August 20–23, 2:00 p.m–5:00 p.m.

Tuition: $220

Four-day workshops do not include lunch. A four-day lunch plan is available for an additional $75. Please select this option when registering if you wish to join us for lunch each day at 1 p.m.

What we wear shows the world so much of who we are. For many, fashion acts as ornamentation, or even armor. Unfortunately, the fashion industry – and fast fashion in particular – is destroying Mother Earth. The clothing and materials we need to adorn ourselves already exist in the world. With a little creativity we can reinvent and revitalize our looks (and a bit of ourselves). We will explore ways of sourcing “upcycled” and “deadstock” materials. We will hold our own clothing swap to pool materials for creating and renewing eco-friendly wearables, then enhance those found garments with inks, dyes, stitches, and appliques – learning new painting, sewing, and printmaking techniques along the way. The experience will culminate in a fashion show collectively produced by the group on the final day. Materials and tools to alter your garments will be provided. Let’s frolic!

Gurtie Hansell is a multimedia artist, teacher, and entrepreneur working out of their home studio and backyard in Chicago. They draw on fashion, printmaking (and print-breaking), as well as graphic design to outfit their community for pageantry, protest, and pleasure. Their wearables are deeply inspired by decades in queer nightlife, camp craft, and generally being loud in public. Gurtie owns a gender-expansive streetwear brand called Kangmankey which they've run since 2015, and they also co-operate a production and costume design company called MotherTwin. This is their 4th year teaching "Renewed Ready to Wear" at Oxbow's Art on the Meadow.

Nnamdi jumpsuit designed by MotherTwin. Images courtesy of the artist.

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Aug
24
10:00 AM10:00

Poetry Is Where You Find It

Poetry Is Where You Find It

with Jane Desmond

Saturday, August 24, 2024, 10:00 a.m–1:00 p.m

Tuition: $75

This workshop includes lunch at 1:00 p.m.

This half-day workshop invites participants to find the poetry in Saugatuck’s history by transforming observations of the local landscape and its social history into works of visual and textual art. Taking the rich cultural and ecological history of Saugatuck and Ox-Bow as our starting point, we’ll explore and then transform copies of historical documents, which will be provided, into “found poems” through simple techniques of selection, amplification, and visual enhancement. Participants will leave with a hand-made work of art combining text, color, and line that reveals hidden expressive meaning in plain documents from the past, like storm reports, newspaper headlines, and ephemera regarding the history of Ox-Bow itself. No background in writing poetry or formal art training is required! Participants of all levels of experience can enjoy this process to create something new from the past.

Jane Desmond is a poet, anthropologist, and former choreographer who works broadly across the arts and humanities. Her work has appeared in books, national print journals, on television, in film, and even on a billboard. As a teacher, she brings several decades of experience to teaching interdisciplinary classes both in the U.S. and abroad, including at the University of Illinois at Urbana-Champaign, where has been featured multiple times on the list of "Teachers ranked as Excellent by their Students." Her creative and scholarly work has been funded by the NYState Council on the Arts, the Rockefeller Foundation, the Ford Foundation, the Fulbright Commission, and through residencies at Write On Door County!, the Helene Wurlitzer Foundation and the Cummington Community for the Arts. Skilled in archival work, she will draw on Saugatuck's special history and local archives to bring the past alive in "found poetry" workshops that combine words and visuals and are easily accessible by both poets, visual artists, and the general public alike. Come find a poem in the past!

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