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Lithography: Stone and Photolithography - 1 week, Session 2
Aug
4
to Aug 10

Lithography: Stone and Photolithography - 1 week, Session 2

Lithography: Stone and Photolithography
Danny Miller 
PRINT 635 002 || 1 credit hour || Lab Fee $50

This fast-paced course is designed for both beginners and advanced artists, and will be offered in a two-week sequence. Week one focuses on traditional methods with stone lithography, and week two introduces students to photomechanical lithography using both hand-drawn and digital processes.  Students are encouraged to investigate personal directions in their work as they explore lithographic possibilities through editions and unique variants.  Emphasis will be placed on both conceptual and technical development, and additional demonstrations will be added based on the specific interests and needs of the participants.  Class consists of demonstrations, presentations, work time, discussions, and critiques.  Historical and contemporary lithographic examples will be presented in order to clarify the relationships between idea, context, material, and process.


FACULTY

Danny Miller humdrum woodcut, 10.5”w x 11.5”h 2016

Danny Miller
humdrum
woodcut, 10.5”w x 11.5”h
2016

Danny Miller is an artist and musician working in Chicago, IL.  Utilizing woodblock, lithographic printing and drawing, he conjures works inspired by science fiction pulp covers, Victorian engravings, advertisements, comic books and music. Miller has taught at Ohio State University, University of Wisconsin-Madison, SAIC and Ox-Bow School of Art and has been the Printmedia Department Manager at SAIC for 30 years. He received his MFA from the University of Wisconsin-Madison and has worked in professional print shops including Landfall Press, Normal Editions Workshop and Four Brothers Press, in addition to playing and teaching traditional fiddle and banjo music at the Old Town School of Folk Music in Chicago.

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Lithography: Stone and Photolithography - 2 weeks
Jul
28
to Aug 10

Lithography: Stone and Photolithography - 2 weeks

Lithography: Stone and Photolithography
Danny Miller 
PRINT 637 001 || 3 credit hours || Lab Fee $100

This fast-paced course is designed for both beginners and advanced artists, and will be offered in a two-week sequence. Week one focuses on traditional methods with stone lithography, and week two introduces students to photomechanical lithography using both hand-drawn and digital processes.  Students are encouraged to investigate personal directions in their work as they explore lithographic possibilities through editions and unique variants.  Emphasis will be placed on both conceptual and technical development, and additional demonstrations will be added based on the specific interests and needs of the participants.  Class consists of demonstrations, presentations, work time, discussions, and critiques.  Historical and contemporary lithographic examples will be presented in order to clarify the relationships between idea, context, material, and process.


FACULTY

Danny Miller humdrum woodcut, 10.5”w x 11.5”h 2016

Danny Miller
humdrum
woodcut, 10.5”w x 11.5”h
2016

Danny Miller is an artist and musician working in Chicago, IL.  Utilizing woodblock, lithographic printing and drawing, he conjures works inspired by science fiction pulp covers, Victorian engravings, advertisements, comic books and music. Miller has taught at Ohio State University, University of Wisconsin-Madison, SAIC and Ox-Bow School of Art and has been the Printmedia Department Manager at SAIC for 30 years. He received his MFA from the University of Wisconsin-Madison and has worked in professional print shops including Landfall Press, Normal Editions Workshop and Four Brothers Press, in addition to playing and teaching traditional fiddle and banjo music at the Old Town School of Folk Music in Chicago.

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Lithography: Stone and Photolithography - 1 week, Session 1
Jul
28
to Aug 3

Lithography: Stone and Photolithography - 1 week, Session 1

Lithography: Stone and Photolithography
Danny Miller 
PRINT 635 001 || 1 credit hour || Lab Fee $50

This fast-paced course is designed for both beginners and advanced artists, and will be offered in a two-week sequence. Week one focuses on traditional methods with stone lithography, and week two introduces students to photomechanical lithography using both hand-drawn and digital processes.  Students are encouraged to investigate personal directions in their work as they explore lithographic possibilities through editions and unique variants.  Emphasis will be placed on both conceptual and technical development, and additional demonstrations will be added based on the specific interests and needs of the participants.  Class consists of demonstrations, presentations, work time, discussions, and critiques.  Historical and contemporary lithographic examples will be presented in order to clarify the relationships between idea, context, material, and process.


FACULTY

Danny Miller humdrum woodcut, 10.5”w x 11.5”h 2016

Danny Miller
humdrum
woodcut, 10.5”w x 11.5”h
2016

Danny Miller is an artist and musician working in Chicago, IL.  Utilizing woodblock, lithographic printing and drawing, he conjures works inspired by science fiction pulp covers, Victorian engravings, advertisements, comic books and music. Miller has taught at Ohio State University, University of Wisconsin-Madison, SAIC and Ox-Bow School of Art and has been the Printmedia Department Manager at SAIC for 30 years. He received his MFA from the University of Wisconsin-Madison and has worked in professional print shops including Landfall Press, Normal Editions Workshop and Four Brothers Press, in addition to playing and teaching traditional fiddle and banjo music at the Old Town School of Folk Music in Chicago.

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Screenprinting: Improvisation and Control
Jun
16
to Jun 29

Screenprinting: Improvisation and Control

Screenprinting: Improvisation and Control
Sonnenzimmer (Nick Butcher and Nadine Nakanishi)
2 week course || PRINT 638 001 || 3 credit hours || Lab Fee: $100

Over this two week course, students will be introduced to the screenprinting process through an improvisational approach to print production. Rather than reproducing preplanned images, students will be challenged to sculpt images with compositional and conceptual integrity by harnessing the additive and modular nature of the process. A variety of hand and photographic stencil making techniques will be demonstrated and encouraged.


FACULTY

Sonnenzimmer is the collective output of Nick Butcher and Nadine Nakanishi. Their work explores the contemporary and historic impact of the graphic impulse through publishing, exhibitions, graphic design, and performance. While the duo works in an array of media, their focus is on triangulating a deeper understanding of the role of graphic expression at large. In addition to their self-driven work, Sonnenzimmer actively engages in commissioned projects aiming to reshape preconceived notions of the graphic arts. Their work has been shown in The United States, Brazil, China, and Europe; with recent solo exhibitions at Vebikus Kunsthalle Schaffhausen, Switzerland, and Hatch Show Print in Nashville, Tennessee.

Sonnenzimmer  (Nick Butcher and Nadine Nakanishi)  Stiff [.cava] & Swipe [.cava] Screen print on punched synthetic felt,  modular acrylic peg system 24 x 36” each 2017

Sonnenzimmer
(Nick Butcher and Nadine Nakanishi)
Stiff [.cava] & Swipe [.cava]
Screen print on punched synthetic felt,
modular acrylic peg system
24 x 36” each
2017

Sonnenzimmer  (Nick Butcher and Nadine Nakanishi) Shape Song U Casted plastic, screen print transfer, hanging/standing wire, 12 x 9 x 1” 2018

Sonnenzimmer
(Nick Butcher and Nadine Nakanishi)
Shape Song U
Casted plastic, screen print transfer, hanging/standing wire, 12 x 9 x 1”
2018

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