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Experimental Watercolor


Experimental Watercolor
Hannah Barnes and Susan Klein
1 week course || PAINTING 657 001 || 1 credit hour

This class approaches watercolor from an experimental angle, using chance strategies to create new works. Working from traditional sources such as landscape, students will harness the unpredictable qualities of watercolor to create improvisational, process-based images. Students will have the opportunity to work in a range of styles and motifs, including both representational and abstract images. Located squarely between painting and drawing, watercolor possesses unique material characteristics that lend it to explorations of chance, accident, immediacy, and impermanence. As pigment suspended in a transparent, watery vehicle, watercolor engages the physical forces of gravity and fluidity like no other material. The class will create space for students to explore watercolor’s unique capacities for improvisation. A source of study will be John Cage’s chance based watercolors created at the Mountain Lake Workshop in Virginia between 1983 and 1990. We will also explore techniques developed by Dada, Surrealist, and Fluxus artists to generate unplanned imagery, music, and poetry, and consider how they can be applied to the painting process. A series of daily exercises will introduce students to tools, methods, and strategies. Additionally, students will select a theme to explore independently throughout the class.


FACULTY

Hannah Barnes   PONMUDI   watercolor on paper 22” x 30” 2017

Hannah Barnes
PONMUDI
watercolor on paper
22” x 30”
2017

Hannah Barnes creates work in painting, drawing, and installation that engages structure, impermanence, and the indeterminacy of images through the lens of abstraction. Her projects have been exhibited in such places as the Dhoominal Gallery in New Delhi, the Institute of Contemporary Art in Portland, Maine, and Trestle Gallery in Brooklyn. She recently completed a Fulbright-Nehru Senior Fellowship in India. She was also a recent resident at the Studio Program at MASS MoCA and a Hedda Sterne Fellow at the Vermont Studio Center. Ms. Barnes received an MFA from Rutgers University and a BFA in Painting from Maine College of Art. In 2008, she joined the School of Art at Ball State University, where she teaches painting and drawing.  Born in 1980 and raised on the New England coast, Barnes currently resides and works in Indianapolis. 

Susan Klein
Day Maze and Transmission (foreground)
and Day Breath (background)
oil on ceramic stoneware, plexiglass, wine racks, acrylic on epoxy resin clay and foam, acrylic, graphite, and gouache on canvas
2018

Susan Klein’s practice moves fluidly from painting to drawing to sculpture. Her work revolves around a symbol system that references artifacts, devotional objects, and popular culture, the objects and images becoming artifacts of the present.  She employs a wide range of media to allow color, form, mark, and material to communicate meaning. Klein has exhibited her work both nationally and internationally. Recent solo exhibitions include the Halsey Institute of Contemporary Art and Sumter County Gallery of Art. She has also shown at The Southern, Charleston, SC, Trestle Gallery, Brooklyn, The Brooklyn Artists Gym, 3433 Gallery, Chicago; PDX Contemporary Art, Portland, OR; University of Ulsan, Korea; Wayne State University, Detroit; as well as other venues. Awards include a full fellowship to the Vermont Studio Center, residency at Ox-Bow School of Art & Artists’ Residency, and a residency at the International Studio and Curatorial Program (Brooklyn). She recently curated the group exhibition Nighttime for Strangers at NARS Foundation (Brooklyn). Currently, she is Assistant Professor of Art at the College of Charleston. She is represented by The Southern, in Charleston, SC

Earlier Event: June 2
Remix: Clay and Print
Later Event: June 2
Beginning Glass, Session I